While writing the script for Chasing the Wasp I had no specific person in mind when I created the
character of Will Hayes; his name is derived from Will H. Hays, former U.S.
postmaster general and namesake for the infamous Hays Code in American cinema.
Rather, the role of Will Hays represents to me the tragically conflicted
villain who is not really a villain at all, and rather a victim swathed in pattern of villainy by his society,
rather than by choice. However, after the IP auditions, I knew that James would
bring both a keen enthusiasm to the rather sinister role, but would also treat
it with the respect deserved to something not necessarily definable.
Directing James is collaborative and a usually enjoyable
experience—frustrations arose when he refused to read the script until several
weeks into the rehearsal process. This however, was not enormously problematic,
and in some ways, perhaps afforded him a strong empirical understanding of the
story and associated emotional underpinning. In order to preserve his often
lofty ego, it is usually necessary to give him some superficial responsibility
(“James will be in charge of leading the rhythm”; “James is the leader of the
dogs”; “James is the coolest student in the school.”). He likely understood my
motives in doing this, however, I think it came through in his character, and a
sense of ego proliferated the Will Hayes character in general.

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