Casting AJ as Jimmy was not necessarily the result of snap
judgement; rather, I cast AJ because I knew that, physically, he is a skilled
performer, and would be able to draw heavily from his background in dance for
some of the scenes involving intricate blocking and choreography, and I
conjectured that he might relate to certain themes within the piece, without
having directly experienced those traumas of his character. However, I was not
certain of his vocal abilities… and for a long time, it was a source of some
concern. He seemed lackluster as his character. I did intense
character-building exercises with him, and, once conditioned to access his
character, he could sustain it for some time, but he would gradually lose it
over the course of the rehearsal. It was not until a rehearsal of his second
scene with Kristina in the first act (in which he delivers his “bee”
monologue), and he uttered the line:
I’m already crowned faggot, Joanie. The world is burning here. And it’s only a matter of time before I’m scorched, too. (sighs) Go home, Joanie.
Suddenly, his faced was flushed with some sort of solidary
recognition, and he said “I understand him now.” And from that moment forward,
it was as if he wrote the character himself. Throughout the rehearsal process,
I tried to limit my use of authority as the scriptwriter—drawing my authority
from my role as director. I had an intrinsic understanding of the characters
I’d created, but it was extremely important to me that each actor cultivated
his own understanding of his character. I only gave limited analyses of
character when asked, and, when charged with more subjective and penetrating
questions, I was usually oblique; when asked if anything had actually happened
between Jimmy and Will Hayes, I refused to answer when AJ and James were in the
same room; separately, I asked AJ what he thought. He answered: “probably”. I
pressed further, and AJ said “yes, but it was really nothing, they just—“ I cut
him off, and said “don’t tell me…keep it for yourself.” When James asked me, I
said “Well, you have to promise not to tell AJ, but yes. Except Jimmy initiated everything, and you were
inebriated.” To the best of my knowledge, he never relayed this understanding
of the events to AJ
With every rehearsal, it became clearer to me that the
“Jimmy” character had been infused with so much of myself, and this became one
of the challenges in directing the character. For this reason, I think that
that character was malleable…this was partially purposeful, as I had no clear
idea during the summer who could play the role. Conversely, though, I think that
while writing I was afraid to completely insert myself into the narrative, and
so this became necessary during character-building process with AJ.

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